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How Japanese Pop's 'City Pop Revival' Is Shaping Today's Scene

A new wave of artists is blending vintage city pop sounds with modern production, creating a fresh trend that bridges generations. This article explores the origins, key players, and why this revival matters for fans.

GloFan Editorial12h ago270

In the last few years, a distinctive trend has emerged in Japanese pop: the revival of city pop, a genre that originally flourished in the late 1970s and 1980s. Characterized by glossy production, jazzy chords, and a breezy, urban vibe, city pop was once a niche sound. Today, it's experiencing a global resurgence, with contemporary artists reinterpreting its aesthetics for modern audiences. This revival isn't just nostalgia; it's a creative force driving new music and connecting with fans worldwide.

The roots of this revival can be traced to the internet. In the early 2010s, obscure city pop tracks began circulating on YouTube and niche forums, attracting listeners who were drawn to its smooth, retro feel. Tracks like Mariya Takeuchi's 'Plastic Love' became viral hits, introducing the genre to a new generation. Streaming platforms then made the entire catalog accessible, and algorithms helped surface forgotten gems. By the mid-2020s, the demand for city pop had grown enough to influence mainstream J-pop production, with major labels taking notice. The trend accelerated as artists began citing city pop as a key influence, and producers started incorporating its signature elements—slap bass, chorus-drenched guitars, and mellow saxophones—into contemporary hits.

One prominent example is the duo Fujii Kaze and Vaundy, who have both incorporated city pop textures into their chart-topping singles. Fujii Kaze's 'Kirari' features a laid-back groove and shimmering keyboards reminiscent of 80s Japanese pop, while Vaundy's 'Odoriko' blends city pop's melodic sensibility with modern electronic beats. These artists don't merely copy the past; they update it, adding their own lyrical perspectives and contemporary production techniques. Their success demonstrates that city pop's appeal is not confined to retro enthusiasts but resonates with a broad, youthful audience.

Another key development is the rise of dedicated city pop revivalists. Artists like Toshiki Kadomatsu, a veteran who was active in the original era, have found new audiences through collaborations with younger musicians. Meanwhile, groups such as Suchmos and Never Young Beach have built their careers on a modernized city pop sound, selling out tours across Asia and beyond. Their music often appears in anime soundtracks and commercials, further embedding the genre in popular culture. This cross-generational exchange keeps the genre alive and evolving, ensuring it remains relevant.

The current revival is also fueled by global streaming and social media. Platforms like TikTok have seen users create dance challenges and edits set to city pop tracks, propelling songs to viral status. This international exposure has led to increased touring opportunities for Japanese artists, with city pop acts frequently selling out venues in the US and Europe. The trend has even influenced non-Japanese artists, who incorporate city pop elements into their own music, creating a global dialogue around the genre.

For fans, this revival offers a chance to explore both the classics and the new wave. It's an invitation to discover the original artists who defined the sound, as well as the contemporary acts pushing it forward. The trend also highlights the importance of digital archives and fan communities in preserving and promoting music. As city pop continues to evolve, it serves as a reminder that great music can transcend time and borders, bringing people together across generations.

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